This story, “The Brownies in the Funnybody Kingdom,” is pure Kelly, story and art. I showed it before, years ago. These are new scans.
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Number 1444: Walt Kelly’s Funnybodies
Người đăng: Unknown on Thứ Sáu, 27 tháng 9, 2013
This story, “The Brownies in the Funnybody Kingdom,” is pure Kelly, story and art. I showed it before, years ago. These are new scans.
Người đăng: Unknown on Thứ Sáu, 18 tháng 7, 2008

Number 344
Walt Kelly's Brownies and the Baby Chick
This is the 10th appearance of Walt Kelly in Pappy's, which shows both that he was prolific--lots to choose from--and good. The public demands Walt Kelly! Pappy gives what the public wants. Sometimes he gives what the public doesn't want, but hey...
Where was I? Oh yeah, Walt Kelly. This story is the first from The Brownies, Dell Four-Color Comic #244, dated April, 1949. Like all of Kelly's funny and whimsical adventures, regardless of the characters involved, the story goes where Kelly sends it. One description I read of Kelly was that he wrote these as he went along. Kelly was a fast artist and the artwork might seem a little rushed, but even rushed Kelly is good, if not downright great. There was never anyone quite like him.
Other stories from this issue of The Brownies are posted in Pappy's #13, and Pappy's #143.









Người đăng: Unknown on Thứ Bảy, 9 tháng 6, 2007

Number 143
Walt Kelly's The Brownies and the Ooglies!
I've spent the past 50 years with and admiring Walt Kelly's work. This is the sort of heresy that will call out Kelly's Pogo fans to scream profanities, toss a noose over a tree limb and wave torches under my window: as much as I love Pogo, I most love his comics written and drawn for kids.
Pogo went from being a kids' comic book feature to adult topical satire in newspapers. It is more grounded in its time. It was in his comics for kids that he didn't need to refer to current events, to aim his humor at hip adults. All kids care about is that it's fun to read. He gave them that. Not only kids in a chronological sense, but those of us who are still kids in an emotionally arrested sense.
"The Ooglies," from The Brownies, Dell Four-Color #244, September 1949, appears to have been turned out quickly, but that gives it a special quality of spontaneity. My memory of reading about how Kelly worked on his comic book stories is that he took sheets of drawing paper and started to draw. He made it up as he went along. It takes a great artist to be able to do that and have it come out in some sort of cogent fashion. And, as we Kelly fans--even the torch-wavers--knew, Kelly was a really great artist.
















