Hiển thị các bài đăng có nhãn Demon Knights. Hiển thị tất cả bài đăng
Hiển thị các bài đăng có nhãn Demon Knights. Hiển thị tất cả bài đăng

Review: Demon Knights Vol. 2: The Avalon Trap trade paperback (DC Comics)

Người đăng: Unknown on Thứ Hai, 23 tháng 9, 2013

Paul Cornell's first Demon Knights collection was a frenetic, often claustrophobic romp in which the motley heroes tried to fend off the destruction of a small village. Though seven issues, I felt it read like one whole, and good, graphic novel.

Though the second collection, Demon Knights: The Avalon Trap, essentially also tells one story, it is less cohesive and therefore feels less dynamic than the first volume. If the first book seemed like a graphic novel, this one is more like a collection of issues. Arguably not a lot of real import happens to the group in these pages, though in the main I still liked the book; it profiles a couple of key characters and also generally offers a taste of the supernatural not found elsewhere in the DC Universe.

[Review contains spoilers]

Aside from Vandal Savage, the Demon Etrigan and Madame Xanadu are the two characters who already interact with the "present day" DC Universe, and so the ones whose adventures are most likely to continue with Demon Knights's cancellation after the next book. It's fitting, therefore, that Avalon Trap is mostly Etrigan and Xanadu's book; the first issue, before the main story starts, tells the story of Xanadu's romance with Etrigan's alter-ego Jason Blood; the conflicts in the main book relate to Xanadu specifically and serve to reveal her origins.

Though I'm not sure there's much overlap between Demon Knights and DC's Justice League Dark, it serves their purposes that someone interested in Xanadu from Dark could come to Knights and find that character featured prominently.

In that first issue, Cornell lets both Xanadu and Etrigan describe their romance from their different perspectives. Xanadu's would seem to be the truer -- that she's only dallying with Etrigan to help her true love, Jason Blood -- since Cornell gives her the majority of the pages in the issue. Etrigan's more base recounting seems the weaker, lasting just one page, and I admit some disappointment -- I more liked the idea of Xanadu with some ulterior motive, playing both Blood and Etrigan against one another for her own purposes, than to know she truly favors one over the other; I rather had wished Etrigan's account was somewhat true.

At the same time, I felt Cornell demonstrated well the true curse of Blood's bonding with the demon; the night before Blood and Xanadu are to be married, for instance, Etrigan roasts the priest. Some more superheroic depictions of Blood and Etrigan have moved away from the Jekyll and Hyde core of the characters -- the two figures constantly undercutting one another -- and Cornell resurrects this well.

Avalon Trap ends up in what I felt was a too-typical DC Universe-based Camelot story -- that is, the characters fight Morgaine Le Fey, something I feel I've seen too many times in Superman, Wonder Woman, and so on. Even as everyone else has moved on to Trinity War and Forever Evil, I admit I'm still eager to see how DC's mostly-abandoned Daemonite invasion storyline turns out, and my biggest thrill in this book was toward the beginning, when an apparent Daemonite murders the wizard Merlin. Unfortunately, the story turns to Morgaine and a betrayal by Etrigan that lands the team in Hell, and it doesn't much seem like Demon Knights is getting back to the Daemonites any time soon.

What otherwise kept me interested in Avalon Trap, and will propel me to the third volume, was a good bit of nostalgia. In the Demon Knights fighting magic-altered beasts, in their being chained up in a creepy old castle, in their being transformed into monsters, I get the same vibe as when I read Bill Willingham's Shadowpact. Neither of these are the best iterations of the supernatural in comics, but they are good iterations of the supernatural in the DC Universe, and I like that DC has a title (short-lived though it may be) that's more fantasy than science-fiction, even moreso than the "modern horror" of titles like Phantom Stranger, Pandora, and Justice League Dark.

I also get glimpses, in reading Demon Knights, of Gail Simeone's Secret Six title. The complexity of the characters in Secret Six was really something else -- even as we knew, I don't think we really knew what we had in our midsts. Demon Knights's characters aren't quite that complex, but as the Morgaine's magic transforms the characters into idealized yet monstrous versions of themselves, I see hints of this "deepness" -- Exoristos's self-loathing, the Horsewoman's mixed feelings as to whether she truly wanted to be free, and so on. Cornell's character work in this book, including the trials of Xanadu and Etrigan, is strong, and far stronger than what we've seen so far in other team books like Justice League Dark and Stormwatch.

Demon Knights Vol. 2: The Avalon Trap does lose some steam after the first volume; at the same time, there's a lot I still appreciate about this series. Were it ongoing, maybe I'd wonder whether I might keep reading the series so closely; with only one more book remaining (and a big one, too, finishing Cornell's stories and collecting all of second writer Robert Venditti's stories), I'll see this through to the end.
More about

Review: Demon Knights Vol. 1: Seven Against the Dark trade paperback (DC Comics)

Người đăng: Unknown on Thứ Hai, 17 tháng 9, 2012

The debut paperback collection of Paul Cornell's Demon Knights practically cries out to have been a hardcover instead, with all the covers shunted to the back such to give the illusion of a graphic novel. Whereas collections like Grifter and Batgirl include a couple of the heroes' disparate adventures, Demon Knights: Seven Against the Dark is a single, tightly-coiled story about seven anti-heroes caught in the siege of a marauding army, immediate and unrelenting and meant to be read in full.

Demon Knights is wholly enjoyable, a book that creates and simultaneously proves the validity of a medieval fantasy title in DC Comics's New 52.

[Review contains spoilers]

In true Dungeons and Dragons fashion, Paul Cornell brings together the seven members of the Demon Knights in a tavern; they do not incite the battle with the Questing Queen's conquering horde, but they're soon embroiled in it. Over the book's seven issues, many of the Knights make personal sacrifices to try to save the town of Little Spring; by the end, however, with Little Spring mostly destroyed, their victory is dubious. The townspeople suggest surrendering to the Questing Queen a number of times, but the Knights keep fighting irrespective, and it is mostly the townspeople -- including a young girl, a young boy, and a priest -- who pay the price.

Cornell distinguishes here between the war and the warriors. The Knights fight because they've been attacked and because it's in their nature to do so, but not because of any loyalty to Little Spring in particular. They try at times to rouse the townspeople to fight with them, but ultimately the townspeople who show the most bravery -- including the boy and the girl -- are the ones who die. In a way Cornell's Demon Knights is a superhero story turned on its head; the heroes don't fight to save Metropolis, but ultimately they fight simply because an opportunity to fight presents itself, and their success in the end is hardly discernable from a failure.

The kind of morally-gray mayhem found in Seven Against the Dark may remind some readers of Gail Simone's Secret Six. The Knights don't all get along; the team includes two pseudo-villains in the form of Etrigan the Demon and Vandal Savage; and there's significant in-fighting (including some bloody injuries) among the group. Between Madame Xanadu's complicated romantic relationship with both Jason Blood and the Demon; the Shining Knight's gender ambiguity; and a bit of gore just a tick higher than the average DC title (though that's a fine line that gets finer all the time), Demon Knights emerges as a surprisingly mature fantasy title, something likely to appeal to the Game of Thrones crowd. It is also, lest this review suggest otherwise, at times pretty funny.

Already Cornell begins laying the groundwork for what must inevitably be a crossover between Demon Knights and the larger DC Universe. With Savage, Etrigan, and Xanadu, the wizard Mordru also appears -- whereas the former three have or are about to make appearances in other DC New 52 titles, Mordru is regularly mentioned in Legion of Super-Heroes, giving one out-of-time DC book a connection to another (hopefully the twain shall meet).

Readers know from Cornell's Stormwatch: The Dark Side that the Demon Knights are an early version of the Stormwatch team (one Knight is referred to as "the Engineer," but other antecedents aren't so obvious); as well, Seven picks up a homonym also found in Grifter, suggesting the "Demon Knights" may face the alien "Daemonites" sometime soon, too. All of this is a joy for those who like that sort of thing, that the Demon Knights may be time-displaced but certainly not separate from the DCU.

In total Demon Knights is a markedly better debut than Cornell's Stormwatch. The latter seemed to bow under the weight of its precedence -- too many established characters to reintroduce, too much going on at once, and too much effort made to seem smart and snappy, when instead Stormwatch just seemed clutter and confused. Demon Knights is airier, not in the least because the characters only face one threat in seven issues. This gives Cornell and artist Diogenes Neves room to spotlight each of the characters separately and in comparison to one another; the second issue alone has plenty of room for Etrigan, Xanadu, Vandal Savage, Shining Knight, the Horsewoman, and Mordru and the Questing Queen, neither feeling rushed nor too slow.

Again, Demon Knights: Seven Against the Dark has essentially the character of a well-plotted graphic novel; it stands out among the best of the DC New 52 debuts.

[Includes original covers; sketches, strangely enough, by Gary Frank]

Next up, the Collected Editions review of Batman and Robin: Born to Kill. Be there!
More about