Hiển thị các bài đăng có nhãn Sub-Mariner. Hiển thị tất cả bài đăng
Hiển thị các bài đăng có nhãn Sub-Mariner. Hiển thị tất cả bài đăng

Number 1158: Sub-Mariner's fatalist attraction

Người đăng: Unknown on Thứ Tư, 16 tháng 5, 2012


 

I liked that Sub-Mariner waged a war against humankind while simultaneously helping us. Makes for a very conflicted character, more interesting than many of the goody two-shoes superheroes of the era.

In this particular story a three-man group called the Fatalists is trying to peddle a death ray to various countries around the globe. No one wants it because it would be the end of the world. Since when has that stopped an aggressive nation? There are several right now who'd love to have such a weapon.

The story gets really unrealistic when the president of a country is ready to sacrifice his kidnapped son to the death ray rather than give in and buy it! And the kid doesn't hate his old man! Personally, if I were that kid I'd already be plotting to take over that miserable country, having Pop "deposed" by a coup and a firing squad. But that's just me.

In some ways I share some character traits with Sub-Mariner. Not that I hate everyone, mind you, but there are days when I think our planet would be better off without people. From Sub-Mariner #38, the last pre-Comics Code issue (1955), drawn by Bill Everett.







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Người đăng: Unknown on Thứ Sáu, 18 tháng 3, 2011


Number 914


Subby nontraditional


I've got some Sub-Mariner stories here that probably aren't what you think of when you think of this classic character.

First we've got a version attributed by the Grand Comics Database to Al Gabriele, from Sub-Mariner #31, 1949. This is a very wacky story, close to the end of Sub-Mariner's 1940s run. Second we have a version by Bob Powell from 1954's Human Torch #36. This could be an inventory story, in case regular Subby artist Bill Everett was late or missed a deadline. As much as I normally like Powell, his visualization of the character seems wrong.

Finally, the Sub-Mariner that isn't. This Tony Mortellaro-drawn story looks like Namor. It's from issue #1 of Adventures Into Mystery, 1956, produced during a period when Sub-Mariner was in limbo. His comic had been canceled, and he was still five years away from being revived in Fantastic Four.

Scans for these stories are provided by Pappy friend-contributors John Kaminsky and Jim Sharpe. Thanks, guys!


















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Người đăng: Unknown on Chủ Nhật, 7 tháng 11, 2010


Number 838


The man with the "S" on his chest


It's been too long since I posted a Bill Everett story, or a story about the character that got Everett started, Sub-Mariner. In this story Sub-Mariner is easy to spot, even in civvies, because he's got an "S" on his chest.

I notice that Namora wears no civilian clothes. She has a cloak which she wears over her sexy swimsuit. In the last panel Sub-Mariner is wearing a suit and tie, yet when being presented a medal Namora is still in her cloak.

It's obvious by looking at this strip from Blonde Phantom #17, Spring, 1948, that Everett had fun drawing. His villains are great. The "steward" at the bottom of page 3, and the bad guy with the piano teeth are very funny. His artistic approach in "The Case of the Deep Sea Swindle" leans toward comedic exaggeration, and I like it.








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Người đăng: Unknown on Thứ Hai, 10 tháng 9, 2007


Number 187


The Waterboys


Here's something you don't see anymore: a monster story combined with Cold War jitters. "The Merman Menace" is from Forbidden Worlds #5, published by the American Comics Group, dated March-April, 1952. The writer is unknown, but according to the Grand Comics Database, the artist is Lin Streeter, about whom I know little. About all I could learn about Streeter is that he was active in comics from the early '40s until at least the 1950s.

You've gotta love having a monster pumped full of adrenalin and benzedrine to get him back up to speed, so he can get revenge on the Reds. It's in the story, folks. I don't make this stuff up.









Just as this giant merman is a survivor of an underwater city, so is Aquaman a citizen of Atlantis. He was born of an Atlantean mom and an American dad. He can stay out of water for an hour but then he has to be submerged again. His adventures had to be short because of that hour time limit, no doubt.

I was given the DC phonebook-sized Showcase Presents Aquaman, and have enjoyed reading a story or two a night. I read Aquaman stories in Adventure Comics in the 1950s and enjoyed them then, too. Of course, at that time I didn't really discern how gimmicky the plots are. I should have, because that was DC Comics in a nutshell: all gimmicks, all the time. Something I appreciate even more than I did 50 years ago is the artwork of Ramona Fradon. Ms Fradon had an excellent semi-cartoony style, perfectly suited to the somewhat zany plots.* Her panels are full of action and her sea creatures are great. In the 1960s I liked her work on Metamorpho and in the 1970s on Super-Friends.

My favorite story (so far) in the book is "The Undersea Hospital," reprinted from Adventure Comics #262, cover-dated July 1959. In this outrageous tale Aquaman opens a "hospital" for his finny friends, splinting a broken tentacle (!) for his octopus friend, helping a dogfish who chased a catfish and got in trouble. You get the idea. At the end an outrageous story goes right off the outrageousness charts when Aquaman is shot by some bad guys. The sea creatures help him: swordfish-surgeons cut into him, and sucker fish suck out the bullets!





After a tryout in Showcase (the comic book) Aquaman got his own book and the stories went totally bonkers, as all DC Comics did, with science fiction monsters and menaces. The Aquaman artwork went from Fradon to another great artist, Nick Cardy.

The current Showcase series of volumes is bringing back all of the old DC characters, the gimmick plots, the ridiculous and stilted dialogue, just as we saw them in the 1950s and '60s. At an affordable price, too. I hope you're joining in the fun and nostalgia of these great black and white reprints.

*The editor was Mort Weisinger, who showed in Action Comics, Superman, Superboy, Jimmy Olsen, Lois Lane, etc., etc., how much mileage a comic book editor can get out of a few gimmicks. The writer on most of the Aquaman stories in Adventure Comics was Robert Bernstein, probably best known amongst Golden Age fans as writer of Psychoanalysis for EC Comics' New Direction. Apparently Bernstein had psychological problems, had psychoanalysis, and elements of it pop up even in the Aquaman stories.

It's a bonus! If you've read this far then you deserve a treat. I'm enclosing an extra story about another famous half-fish, half-human hero. The story is from the late 1940s, and was part of the box full of comic book tear sheets I received years ago. I went through and assembled the complete stories, of which this is one. Comic title unknown, by a writer and artist unknown. (See note by reader Darci below.)














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