Calling All Guest Bloggers - Review for Collected Editions!

Người đăng: Unknown on Thứ Ba, 7 tháng 10, 2008

Calling all guest bloggers!

This is Collected Editions's semi-annual reminder that we need guest reviewers! Your reviews give a different perspective on the trade paperbacks we all love so much, and also help Collected Editions balance the pace of providing new reviews each week. If you want to support Collected Editions, write a review!

We are currently accepting reviews on a wide variety of trade paperbacks and graphic novels -- DC Comics trade paperbacks are fine, but we also love getting guest reviews on Marvel, Image, Dark Horse, or independent comics.

If you're thinking of a comic you'd like to review for us, just ask! Email the title of the book to our Collected Editions Yahoo account (address at right), and we'll reply right away if you should go ahead and send us your review.

Your review could be here! Don't wait, write today!
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Review: The Trials of Shazam Volume 2 trade paperback (DC Comics)

Người đăng: Unknown on Thứ Hai, 6 tháng 10, 2008

[Contains spoilers for the second volume of Trials of Shazam]

As before, The Trials of Shazam is not the previous generation's Captain Marvel. Matter of fact, in the second volume, Cap's Billy Batson identity never even appears. I enjoyed the story, and it's obvious why DC Comics made the decision to make such a radical departure from the Captain Marvel mythos, though I can't help but think it ultimately robs Captain Marvel of some of what makes him special.

By the end of this volume, Freddy Freeman is now the hero known as Shazam, while Captain Marvel takes the previous Shazam's place on the Rock of Eternity. In this way, should the new Shazam become a breakout character, DC can give him a titular series without the copyright issues that Captain Marvel brings. And I would be willing to read more about Freddy; writer Judd Winick offers a plucky, hip, determined Freddy who's a little overwhelmed but otherwise good-hearted, and with enough everyman in him to make the magic aspects of the series accessible.

The issue, of course, is that when Freddy says the name "Shazam," he goes from being college-age Freddy Freeman to college-age Shazam. There's no more here of young Billy Batson becoming adult Captain Marvel, with all the challenges and power-fantasies that entails. Freddy's just another super-powered kid; though his adventures tend to be more supernatural, essentially there's not a lot of difference between Freddy Freeman and Blue Beetle. Unfortunately, that makes me think it's only a matter of time before DC returns the Marvel mythos to status quo (Shazam: Rebirth, anyone?), and I hate to think of the retcons necessary to fix all this.

The upside of Trials of Shazam is that Winick writes his head off here. Between Winick's crass spy-thriller Outsiders and his bow-slinging Green Arrow, who knew Winick could write swords and sorcery? Most of the magic creatures and secret weapons in this tale are complete nonsense without any ties to established DC Comics stories (the Books of Magic have been rewritten, as the characters remind us ad nauseum); as such, Winick makes up concept after concept, and the sheer creativity of it is thrilling. I enjoyed watching Freddy throw spells at the latest slimy monster without having to worry that I didn't know the "rules" of the magic he used.

Winick also did a nice job making me care about the various characters. Winick offers a new take on the mythological Atlas here in a chapter that's just riveting; the god Apollo's reluctance to take Atlas's place is equally compelling. Winick also provides more details about the magician Sabina, Freddy's equivalent of Black Adam; I'm still not quite clear on why Sabina is the natural inheritor of the Marvel power, but her origin made her a complelling foe for Freddy. And don't miss the Tawky Tawny cameo in this volume, either; even as it seems like DC's setting aside all the "silly" Marvel characters, Tawny returns in a great sequence with Sabina.

[Contains full covers, "What Came Before."]

I read an interview with James Robinson about his upcoming Justice League series that suggests he might undo most of what Winick established in Trials of Shazam (putting Freddy back in his old costume, for instance); personally, I hope not. The changes DC has wrought with Freddy can't last forever, I'm sure, but it'd be a shame to see Trials of Shazam overturned so quickly.

New reviews coming soon!
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Người đăng: Unknown


Number 391


The scourge of Atlantis


Dick Ayers returns to Pappy's with a soggy tale from Strange Worlds #2 from 1959. The first issue of Strange Worlds was the first title published after a hiatus when Martin Goodman, publisher, sold his Atlas Distribution company, then had to seek distribution from his competition, DC Comics. Strange Worlds is post-Atlas, but pre-Marvel Comics. "I Am The Scourge Of Atlantis" is obviously not part of the Sub-Mariner/Marvel Universe. It owes its ending to "Ping Pong" in Mad. Oops. Should I have posted a SPOILER ALERT tag before telling you that?






**********


This is one of those novelty company ads from comic books. Some of these items seem almost terroristic: Hot Seat! Sneezing Powder! Itching Powder! Exploding fountain pen! How about scaring the crap out of your parents with a hypo needle that seems to plunge into your arm? "Mom! Dad! Watch me jolt up some heroin, yok yok!" Weapons of mass destruction: a sling shot with "riflelike accuracy. Excellent for targets or small game." Balanced throwing knives...little brothers watch out. You will be a target.

Of course we have the famous X-Ray Specs and "Throw Your Voice" gizmo. I'm sure plenty of kids threw them down in disgust when they realized they'd been duped.

Nowadays we need stuff like Fake Muslim Beard, Exploding Cell Phone, Shoe With Fuse. Real laugh-out-loud fun stuff.

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Người đăng: Unknown on Chủ Nhật, 5 tháng 10, 2008


Number 390


Dunc and Loo come through


I found Dunc and Loo #5 at an antiques fair just a week ago. It's one of those moments that comic collectors live for. I've been writing about John Stanley, posting stories, reading his stories posted on other blogs, and so it was synchronicity finding this comic in the midst of a stack of otherwise common '80s super hero comics.

Further synchronicity occurred last Sunday when Frank Young of Stanley Stories posted stories from Around the Block With Dunc and Loo #3. The comic book gods had to be interceding in these events.

These two stories from #5 are wonderful. The gags are funny, the characters are funny, the drawing is great. Bill Williams drew Dunc and Loo in a vibrant style with a fluid brush line, perfectly complementing Stanley's layouts.
















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Người đăng: Unknown on Thứ Sáu, 3 tháng 10, 2008


Number 389


Man in the macabre mirror


Hey, remember that song by Michael Jackson, "Man in the Mirror"? I'm sure when Michael Jackson looks in the mirror at his reflection he sees something almost as macabre as famed actor Willis Kane sees in this story from The Beyond #11. I like this story. I like that Willis fulfills Pappy's First Law of Horror Comics: "The main character shall be as unpleasant and unredeemable as possible," so that his punishment will be all the more justified and severe. I like the artwork by an artist unknown to me. I even like the swiped EC Ghoulunatic who sells the mirror to Willis.

Me, I've been sneaking up on my mirror for years, watching myself get old. Now that's scary.

Karswell tells me that soon he'll be running more horror comics from Ace in The Horrors Of It All. Watch for them.







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Review: Blue Beetle: Reach for the Stars trade paperback (DC Comics)

Người đăng: Unknown on Thứ Năm, 2 tháng 10, 2008

I re-read the first two Blue Beetle trade paperbacks in preparation for reading Blue Beetle: Reach for the Stars. Of the three, Reach for the Stars turned out to be my least favorite, though it still keeps overall the high quality we've seen from the Blue Beetle title. Back in the 1990s, Chuck Dixon's Robin defined what it meant to write a teen-centered comic; since then, I don't think teen comics have been as good (Geoff Johns's Teen Titans notwithstanding) until Blue Beetle.

What I didn't like about this trade was writer John Rogers's introduction of the Reach, the aliens responsible for the beetle scarab stuck to Blue Beetle Jaime Reyes's spine. The aliens are predictably evil and poorly defined, with a vague plan to take over Earth while tricking most of the world's governments into believing they come in peace (not unlike, say, the White Martians, or any number of others). Only Jaime and his supporting cast know the Reach's plan; this leads to a number of one-off issues where Jaime fights a generic villain (Ultra-Humanite, Lobo, Typhoon) to stop them from doing a generic bad Reach thing (build a base, blow up a rocket, etc.) with litle overall consequence. While this works to tie the chapters of Reach for the Stars together thematically, it makes those same chapters feel formulaic one right after the next.

As with the previous Blue Beetle collections, however, what saves Reach for the Stars is that Rogers's Jaime Reyes and his supporting cast are just so darn likable. In the fourth chapter, when the sorceress (and new love interest) Traci 13 appears before Jaime, he barely blinks before he follows her to rescue endangered friends; later, when Jaime fails to save townspeople from the villain Typhoon, he breaks down and cries with his father. Jaime's heroism is so earnest and so believable--and so, I'd say, true to the ideals of a teenager blessed with super-powers--that you can't help but root for him. Rogers similarly writes Jaime's friends Paco and Brenda as young and real without the slang or silliness we see when others write teenagers; I also love the sense and charm with which Jaime's parents handle their son's superheroics (see Jaime's mom putting Guy Gardner in his place at a family barbeque. Blue Beetle is good, good quality writing, something with which you can forgive any number of other errors, and it's a model for how new series can be done right.

Rogers begins to introduce a number of other DC Comics characters into Jaime's world with this trade. J. Torres writes a fill-in issue featuring Superman that, with its simplicity, was the worst of the bunch, but Rogers balances this with a number of delightfully subtle cameo appearances by Batman, who also seems to see a bit of young Robin in the new hero. I love the idea of Jaime joining the Teen Titans, and it's great how Rogers uses Jaime's newness as a hero to offer the reader an "everyman" perspective if they're not familiar with the Titans (Jaime's scarab tells him Miss Martian is a white Martian, "Didn't know I was supposed to get all racial about it," is Jaime's hilarious reply). I also enjoyed the Jetsons Meet the Flinstones-feel of Jaime's supporting cast intermixing with the Titans. I wasn't thrilled with Rogers's antiquated portrayal of Guy Gardner (more Justice League International than Green Lantern Corps), but I'm excited for more of Blue Beetle Ted Kord's contemporaries to appear in the next volume.

Much of the art here comes from Rafael Albuquerque; while I still feel Cully Hamner draws the definitive Jaime Reyes, Albuquerque's portrayal grows on me. There's a number of different artists here who draw Jaime with varying degrees of success; note Jaime's goatee, which at times looks fuzzy like Shaggy of Scooby-Doo fame, and other times like a full-grown beard. Overall, while the art in Blue Beetle is not cartoony, there's an exaggerated look to it that fits well the young characters and adventurous situations. Is it too much to hope for more of just the same in the future?

[Contains full covers, "What Came Before" page.]

Well, that was a most satisfying comic book read. I'm turning now to the second part of Trials of Shazam; I liked the first part (and the second has the Justice League in it), so I have high hopes. Thanks for reading!
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Người đăng: Unknown on Thứ Tư, 1 tháng 10, 2008



Number 388


Give Doll Man a great big hand!


From Feature Comics #107, February 1947, Doll Man encounters the sound of one hand murdering. "The Hand of Horror" is drawn by John Cassone(?) according to the Grand Comics Database. I don't know the other work of Cassone so I'm unable to judge whether it's by him or not.

Doll Man starred in Feature Comics for a long time, as well as appearing in his own book. I think the appeal to young readers is the tiny in the world of the oversized; The Incredible Shrinking Man or Land of the Giants stuff that fascinates kids. Otherwise Doll Man is kind of a dull man as a super hero. He's got one power, to shrink. Of course, that whole concept was lifted by DC for the Silver Age Atom. Darrell Dane, Doll Man, is a scientist, one of the few good ones in comics. The scientist-villain in "The Hand of Horror" is like most comic book scientists, evil and mad. I wonder how we made so much scientific progress in the 20th Century with all of those evil, mad scientists wreaking havoc?













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