Người đăng: Unknown on Chủ Nhật, 9 tháng 11, 2008


Number 410


Origin of Blackhawk
retold



I noticed the campaign poster on page 2 of this retelling of the origin of Blackhawk:

PEOPLE OF VALNADIA
ELECT ME
DICTATOR

OR I SHALL BRING
DESTRUCTION

AND HAVOC!


Now that is a snappy campaign slogan!

The story is from Blackhawk #71, December 1953. Dick Dillin and Chuck Cuidera did the artwork. The were kept on as the art team after DC bought the characters from Quality Comics and began publishing in 1957.










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Người đăng: Unknown on Thứ Sáu, 7 tháng 11, 2008



Number 409



Murphy Anderson's Star Pirate


Murphy Anderson has long been one of my favorite DC artists. I loved his work in the '60s, from the Atomic Knights in Strange Adventures to Hawkman, to his many inking jobs done over the pencils of other artists. I always thought any artist looked better when inked by Murphy.

Star Pirate is a swashbuckling s-f series from Planet Comics. This particular episode is from Planet #41, March 1946. Since Anderson was born in 1926, he was 19 or 20 when he drew this, and it shows a lot of sophistication for such a young artist. His inspiration from Lou Fine is apparent, too.

In 1948 Anderson drew Buck Rogers.

In 1987 Dragon Lady Press reprinted an episode in Classic Adventure Strips #10. As good as this is for a youngster, with age he only got better.









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DC Comics One Year Later trade reviews wrap-up

Người đăng: Unknown on Thứ Năm, 6 tháng 11, 2008

I've been asked for a One Year Later wrap-up post, similar to our Infinite Crisis crossover trade reviews wrap up post.

I was pleased to be reminded of the Infinite Crisis wrap-up, as to be honest I've been struggling to find a way to really summarize One Year Later, DC Comics's post-Infinite Crisis line-wide jump-ahead. One Year Later isn't a cross-over per se, nor in the plurality of voices did it really contain overall connected thematic elements.

What did impress me in One Year Later was the greater sense of a shared DC Universe post-Infinite Crisis. Note from early on the presence of Checkmate, which itself contains members of the Justice Society, in both Green Lantern and Green Arrow, and how those two titles reflect each others' events. Similarly there's a greater connection between Nightwing in his own title and Nightwing in Outsiders, and Robin reflects the One Year Later events of Birds of Prey.

Two of the biggest One Year Later events, and the ones that take us through to Countdown to Infinite Crisis, are the re-establishment of the Justice League and the Justice Society. DC's Big Three form both the cornerstone of the Justice League and encourage the Justice Society to re-form; the Big Three's individual One Year Later trades--especially Superman: Up, Up, and Away and Wonder Woman: Who is Wonder Woman?--each reflect the more communal DC Universe with a bevy of guest stars; Batman: Face the Face presents a friendlier Batman that shows a marked change from the pre-Infinite Crisis DCU.

The build-up to Countdown to Infinite Crisis really starts amidst 52, but we also see the presence of the Monitors in Ion: The Torchbearer. The Monitors also make their presence known in Nightwing and Supergirl trades; we find the beginings of Montiors' enemies in Crisis Aftermath: The Battle for Bludhaven, which guest stars the newest Teen Titans. Other big events include a marriage proposal in Green Arrow: The Road to Jericho which comes to fruition during Countdown.

This list ends perhaps a little suddenly with Birds of Prey: Dead of Winter, though that collection does end longtime writer Gail Simone's run on the series. What comes next is the lead-in to Amazons Attack, arguably the first major crossover of the post-Infinite Crisis era. And a crossover, then, breaks the spell of One Year Later, a roughly one-year span where DC Comics interrelated not in the service of some event, but just in the sense that these are superheroes who know one another, and sometimes team up or help each other out.

Below is a list of our Collected Editions One Year Later reviews, presented in roughly chronological order as per our DC Comics Trade Paperback Timeline. Please send any comments or corrections; we hope you enjoy.

Superman: Up, Up, and Away
Batman: Face the Face

JSA: Ghost Stories
Checkmate: A King's Game

Green Arrow
Green Lantern

Nightwing: Brothers in Blood
Outsiders: The Good Fight

Birds of Prey: Perfect Pitch
Robin: Wanted

Wonder Woman: Who is Wonder Woman?

Teen Titans: Titans Around the World
Crisis Aftermath: The Battle for Bludhaven

Flash: The Fastest Man Alive: Lightning in a Bottle

Aquaman: Sword of Atlantis: Once and Future
Firestorm, the Nuclear Man: Reborn
Superman: Back in Action

Superman: Camelot Falls

Supergirl and the Legion of Super-Heroes: Strange Visitor from Another Century
Supergirl and the Legion of Super-Heroes: Adult Education
Supergirl and the Legion of Super-Heroes: The Dominator War
Supergirl: Candor

Catwoman: The Replacements
Catwoman: It's Only a Movie

Crisis Aftermath: The Spectre

Nightwing: Love and War
Supergirl: Identity
Outsiders: Pay as You Go

Ion: The Torchbearer
Ion: The Dying Flame

Blue Beetle: Shellshocked
Birds of Prey: Blood and Circuits

Hawkgirl: The Maw

Justice Leage of America: The Tornado's Path
Martian Manhunter: The Others Among Us
Superman/Batman: Enemies Among Us

All-New Atom: My Life in Miniature
All-New Atom: Future/Past

Blue Beetle: Road Trip
The Brave and the Bold: The Lords of Luck

Hawkgirl: Hawkman Returns
Superman: Redemption

Justice Society of America: The Next Age

Uncle Sam and the Freedom Fighters

Batman: Death and the City
Green Arrow: The Road to Jericho
Secret Six: Six Degrees of Devestation
Birds of Prey: Dead of Winter
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Người đăng: Unknown on Thứ Tư, 5 tháng 11, 2008


Number 408


Two Dukes and Dopes



The Duke and the Dope was a feature from Giggle Comics, drawn and lettered, and also likely written, by animator/cartoonist Ken Hultgren.

If you Google Hultgren's name you find references to books on drawing he wrote, including one still in print from Dover Books, and animation he worked on, but I wasn't able to find any dates, like birth and (presumably) death. About all I know about his comic art besides these stories from Giggle is that he drew the Bambi Four-Color #12 for Dell in 1942. Here's a page scanned from the last Whitman Bambi reprint from 1984.


Hultgren worked for Disney for many years, including the years Carl Barks was with the studio, and probably when Walt Kelly was there, too. If you can confirm that or give me any other information on Hultgren please do.

I like these stories, scanned from Giggle Comics #52 and #54, April and June 1948, respectively. I think they're funny, and the artwork has a Walt Kelly touch to it, especially in the inking, and most especially around the eyes.













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Review: Batman: The Black Glove collected hardcover (DC Comics)

Người đăng: Unknown on Thứ Hai, 3 tháng 11, 2008

[Contains spoilers for Batman: The Black Glove.]

Let me tell you ... Batman: The Black Glove scared the piss out of me.

I think scary comics are a really tough thing to write. A comic can easily be interesting or exciting, sometimes funny or moving--but to write a comic book that will scare you when you're sitting safe at home in your living room, now that seems a tough thing to do. So far I've enjoyed Grant Morrison's Batman run (well, Batman and Son, at least), but The Black Glove truly astounded me.

It was the first of two stories found in Black Glove, that of Batman and the Silver Age Batmen of All Nations trapped on an island and hunted by a killer, that I found so effectively frightening. Morrison plays on old Clue/Murder on the Orient Express tropes here, likely intentionally, isolating his detective among a group of suspects, any of whom could be the killer.

The power of the story comes in well-timed gore and surprises (the killer wearing Mayhew's face, literally, for instance, and the explosion of the Batplane), and also in masterfully quick characterization. Morrison makes us care for the characters quickly--not just Batman and Robin, but also the Knight, Squire, Red Raven, and others--and then just as quickly imperils them; I thought the ticking bomb in Knight's stomach was especially effective.

Of course, this story wouldn't be half as effective as it was without the moody, stylized art of J. H. Williams. Jones offers slow reveals, ever-present shadows, and pages upon pages of art deco action. As the heroes are picked off one by one, Williams had me believing the killer could be lurking anywhere in the corners, just off the edge of the page. Brilliant work by all accounts.

Morrison's second story picks up on threads from Batman and Son, bringing back three mysterious pseudo-Batman. We get much more detail this time around, learning that the policemen were volunteers for failed experiments to create Batman replacements, experiments done by the same doctor who once experimented on Batman, and possibly left within him hypnotic suggestions. While this story was not quite as intense as the first, Morrison reveals the nature of three Batmen while still keeping the reader guessing into Batman: RIP.

The one part of Black Glove I didn't like, perhaps, was the villain Black Glove him- or herself. Batman speculates in the end that the Black Glove might be a hidden mastermind, plotting against the Batman for years; to me, this sounds remarkably like Hush. In addition, I wonder if the Black Glove can really live up to his own hype; when finally revealed, Black Glove will have to have some kind of origin that posits him as a villain for reasons of upbringing or attitude--it just seems that all villains, especially large and hidden ones, ultimately fail to meet their build-up, and I worry that the same may become true here.

[Contains full covers.]

If you're looking for a collection to enjoy around Halloween time, however ... that first story is really scary!

More reviews coming soon. Be here!
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Người đăng: Unknown


Number 407


Out of my brain on the 5:15



This is one of those fun little Whodunnits by Fred Guardineer. It appeared in Lev Gleason's Crime and Punishment #31 from 1950. Besides the title reminding me of a song, "5:15" by the Who, Guardineer's precise artwork reminds me of my old art school studies of perspective. Guardineer looks like he used his knowledge well in this story. It'd be hard to fake perspective when so many panels depend on it.

I flipped the final panels so you can read them without standing on your head.

I've also enclosed a couple of filler pages, both by C. H. Moore; one a sort of antique CSI and the other the ancestor of America's Dumbest Criminals. How about America's dumbest victims, too? The woman who undressed in front of the window peeper while waiting for the police: it's called exhibitionism.










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Người đăng: Unknown on Chủ Nhật, 2 tháng 11, 2008



Number 406


Feud on Rimfire Ridge!


Mosey on in and set a spell, podnuh. Got yet another Western--well, West as in West Virginia, anyhow--story to tell ya. This comes from Pappy's box of tear sheets. Someone years ago cut out stories they liked from comic books and threw them in a box. I put them back together. I have four Vigilante stories; this is the oldest, and first to be offered up.

The Vigilante was a long-running feature in Action Comics. I think he was one of the more popular characters who never got his own book. Vigilante was Greg Sanders, a radio singing cowboy who ran with a Chinatown kid named Stuff. When he slipped his kerchief over his face he became the Vigilante.

Mort Meskin, using the name Mort Jr., drew this action-packed 12-pager from Action Comics #57 in 1943, and Charles Paris inked it. The hillbilly kid in the splash panel, who says he's gonna shoot Tom Hatton "daid," learned to pronounce dead by the time this scene shows up on page 9.












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